“Milano, you must know, is now the most affluent and bounteous city in Italy (…) The Milanese in all things they do are keen on living well, rather than on appearing (…) and to all foreigners, they are very courteous and are very happy to see them” Matteo Bandello, Novella VIII


Leonardo and Milano


Leonardo and Milano were meant to cross paths. On the one hand, we have the polymath artist, futuristic engineer and master of ceremonies, an accomplished painter, architect and musician. On the other, a growing city finally at peace. Its population numbered around 200 thousand and its Renaissance-era court was on the same level as that of Florence, able to attract talented people and set fashion trends and customs throughout Europe.


Few people know that Leonardo spent the longest and most prolific part of his life in Milano. It was his adopted hometown. What better place for a talented man of 30 years of age, schooled in Florence and now seeking fortune, prestige and a place to freely express his creativity? 


In the city of Milano, Leonardo found a thriving commercial hub with a penchant for innovation. The established artistic tradition was Gothic and the Renaissance was bringing in a new style. There was a network of canals in constant development, and borders to protect - but expansion outside the walls was the main objective. There was also a fascinating Court staging extravagant pageants and masques and two large building sites - the Castello Sforzesco and the Duomo Cathedral with its cupola nearing completion. 


He entered the city carrying a silver lyre shaped like a horse's skull in his apprentice's bag. He’d designed it himself and could play it magnificently: the instrument was a gift for the Duke of Milano, Ludovico Maria Sforza. At the age of 30 - just like Leonardo - the Duke was a military leader and patron of artists and scientists, and he was transforming his court-fortress into an icon of style: the two men openly shared a passion for things at once beautiful and useful.

My horse for the Duchy

Before the Last Supper, the projects for the canals, the drawings of the Duomo cupola or his flying machines, Leonardo introduced himself to the Duke of Milano, Ludovico il Moro, with a letter that is actually one of the world’s first CVs.

A garden in a room

Today, it is a fortress with three courtyards - the bustling city and its traffic and shopping districts on one side, and the green Sempione Park on the other. When Leonardo lived in Milano, the Castello Sforzesco was the centre of the ideal city that a Renaissance-era architect and genius named Filarete had designed within an 8-pointed star. 

The world in a Codex

Leonardo walked about the Castle with his long, thick beard. At times he was impetuous, at times lost in his own thoughts: he always carried a collection of sheets on which he randomly entered notes in pencil from right to left, drawings in ink, and sketches in charcoal. The Codex Atlanticus is a collection of 1000 of these sheets, which are in rotation displayed in the Pinacoteca Ambrosiana.

A flight through the centuries

Five hundred years after Leonardo lived, his studies continue to fascinate us, make us think and - most importantly - inspire. In fact, in 1953, exactly five centuries after his birth, an ancient 14th century convent became the first scientific museum in Italy to be named after him: here, not far from Santa Maria delle Grazie and the Vineyard, a series of models built according to Leonardo's drawings are on display.

Secret garden

Leonardo's Vineyard tells the story of a Milano that could travel at another speed, a city that centuries ago created occasions for music and parties in courtyards and private villas, the same city that now preserves hidden gardens, some of which are botanical gardens.

Immortal fragility

Four years are really too long to paint a mural! The Duke is in a hurry: he has the most talented man in his court to paint the Last Supper on the refectory walls in the convent to the side of Santa Maria delle Grazie.

Sliding doors

In his Codex Atlanticus, Leonardo sketched some of the engineering innovations: among the many drawings, there were “chiusini” set into doors, small underwater openings that could be moved by hand to allow the waters to flow more slowly and prevent passing boats from being rocked and dumping their cargo when the locks finally opened. One of the locks built at the time with this mechanism can still be seen today. The place is called Conca dell’Incoronata, and it is not far from the Brera district. 

The legacy of Leonardo

The statue of Leonardo da Vinci was conceived decades before its presentation: started when Milano was ruled by Austria, and finished shortly after the liberated city had just opened the square in front of La Scala Theatre. The façades of Palazzo Marino, the City Hall, were being renewed. The year was 1872, and the placing of this statue shows how Leonardo da Vinci's fame endured and survived the passage of time.